The Gazelle
May 4, 2025
features
Shanzae Ashar Siddiqui
The house on the hill once thrived on open doors and shared chores—until the man at the head of the table decided he was the house. He shut the...
Karen Hannoush
The Palestinian keffiyeh, once a symbol of resistance, is now a fashion trend. Is this solidarity or cultural theft? As symbols of struggle become...
Joshua Isaac
As democracy faces rising authoritarian populism, leaders like Trump, Modi, and Meloni beg us to consider whether they are threats or just responding...
Chadi Saadoun
Nicoleta Geru
Mehraneh Saffari Anaraki
An X user replaced the NYU site with what they claim to be NYU’s 2024 applicant data, accusing the university of continuing to use affirmative action...
Aizhan Karpykova
Twelve graduating seniors let us into their journeys at this year’s Visual Arts and Art History Capstone Collective.
Mohammed Faheem
Experiencing the historic Dubai district through a camera lens, questions of home and belonging enter into the frame.
Anger drives protests for social change, however, it can also further deepen fragmentation. For anger to drive meaningful change, it needs to be seen...
Tiesta Dangwal
Reflecting on the relationship between the past and museums as sites of commemoration after a visit to the Dubai Women’s Museum.
Sean Baker’s film Anora makes love, survival, and exploitation collide, making every moment a battle for dignity and agency in a system designed...
Anna Stathopoulou
Why was friendship at the center of Epicurus’ theory for happiness and is that still the case in the modern day?
Yana Peeva
Let’s be honest, we are all a little patriotic about Ireland.
Saudha Shaheen
The world’s approach to minority representation is shifting—and not in the way we hope.
