With their beautifully constructed lyrics faultlessly accentuated by tender yet electric orchestration, Lebanese indie-rock band Mashrou’ Leila has gathered unprecedented international exposure for an Arab ensemble. The band, composed of lead singer Hamed Sinno, drummer Charles Gerges, violinist Haig Papazian and multi-musician Firas Abu Fakher, prides itself as being one of the pioneers of contemporary Arabic music since its formation in 2008.

The band’s distinct approach to music — involving storytelling and politically charged innuendos to send powerful messages regarding modern day political and social issues in the Arab world — has enabled them to give a voice to the voiceless. However, considering the closeted nature of the Arab world, Mashrou’ Leila was quick to gain backlash for their controversial political views, especially those concerning identity and orientation in the Middle East.

Sinno, one of few openly queer figures in Arab media, has not been afraid of expressing his support for queer rights — both his performances and lyrics include references to queer culture. As a result, the band has been banned from performing in many Arab countries, including Egypt and Jordan, where their political agenda is met with resistance. Although not completely banned from performing, many of Mashrou’ Leila’s shows have been canceled in Lebanon as a result of false accusations and heated debates surrounding their discography.

This has done harm to both the band and their devoted fans. Not only do the restrictions on when and where the band can perform make it harder for them to reach their fanbase, but they also push the band further away from what they advocate for: complete acceptance of everyone regardless of their religion, gender or sexuality.

Interestingly, Mashrou’ Leila has performed in the UAE many times over the last few years at both large-scale concerts and more intimate gigs. For them to still be able to bring their music to an Arab country and gain exposure through that, regardless of how limited that exposure may be, speaks volumes in regards to the impact that it has on their fans, especially those who are Arab and/or Muslim.

To see someone being able to freely express themselves on a stage when the world is desperate to shut their voices down makes all the difference. Mashrou’ Leila is empowering communities that have long been silenced through the band’s music itself, their live performance of it and their individual expression of acceptance.

For the UAE, allowing Mashrou’ Leila to come to perform and connect with their fans is a step towards achieving real tolerance — one that does not restrict artistic performance on the basis of difference and instead embraces it as a testament to cultural diversity and inclusion.